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My work is an exploration of relations that reside in the constant flux of sensory events. I am interested in the interaction between the painting and the viewer's imagination and experience; in the painting's catalytic potency -  it's potential to generate unspecified mobile meaning.

Color operates in this work and in the world as a kind of pure energy, dynamic, capricious, evocative. The surfaces emphasize the sensual rather than analytical nature of the process, and attest to the pervasive presence of time. Within the structure of the paintings, archetypal dualities of male/female, earth/sky, internal/external are inevitably implied; not as opposing forces, but as interdependent aspects of an animate whole. In this sense, these paintings might be regarded as open-ended cosmologies, or as chunks of unencumbered raw reality, or to use John Cage's words, "like Nature in her manner of operation".

I am trying to build, out of color and substance, a place for the viewer's consciousness - where unexpected associations and resonances may occur, where history merges with the present moment, and the stuff of life, love and desire has corporeal presence - states of being, embodied in paint. 

 

 

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